My Favorite Things: "Phantom of the Paradise"

Welcome to another episode of My Favorite Things.

This week, I'll share a corny movie that many of you have probably not heard of and have never seen, even though it was written and directed by an esteemed and well-established Hollywood figure, Brian de Palma.

This film is "Phantom of the Paradise."  (It is available via Amazon Instant Video for those interested.)

I first caught this on cable sometime in the mid-1990s, when I was home from work with the flu. At the time, I thought I had vague memories of it from the 1970s--either on TV or from reading about it in a magazine, but I would have been young and certainly didn't recall most of it if I had in fact seen it.

I was struck immediately by the sets, costumes, music and gore, all of which are ridiculously over-the-top and were presumably meant to be that way.  (Or not? It was early in de Palma's film career.) It was all very 1970s tacky and was hopelessly out-of-date at the time I was watching it, even thought he 1970s were very much cycling back around in the 1990s, in terms of fashion and music influence.

The sets were decorated by a then-unknown Sissy Spacek, and the music--all written and mostly sung by Paul Williams, who also stars as the film's sex symbol [yes!] and bad guy--was nominated for an Oscar.  My favorite performance was Gerrit Graham as Beef, in a deliciously campy send-up of 1970s glam rockers.

I watched the movie repeatedly during the two months it ran on cable.  Then I forgot about it.

Then it made the rounds on cable again in the late 1990s, and my obsession was born. This time I shared it with a few others, some of whom agreed with me that it was a masterpiece of kitsch.  (Some found it boring and ridiculous, of course.)

A friend bought me my first VHS cassette of it in the early 2000s. It was one of the first DVD's I bought when we upgraded to the new technology. Another friend made me a copy of the soundtrack from Napster (the soundtrack was not available in the US at that time and was obtainable only as a very expensive Japanese import).

And upon surfing the web, I was delighted to discover I am not the only person who thinks this movie is fantastic. It is a "midnight movie" that plays in a lot of places (kind of like Rocky Horror Picture Show) and there are websites devoted to it, annual fan conventions, highly-detailed reconstructions of the Phantom costume for sale, etc.

I actually got a chance to see it in a theater at the Dundee when we lived in Omaha, where it played as a midnight movie in October 2007. To my surprise, Mr. 42 and I were NOT the only people in the theater. There was a reasonably-sized crowd in attendance, possibly because the movie stars and contains the music of Paul Williams, who was born and raised in a suburb of Omaha.

I will admit it looked a lot cheaper and cheesier on the big screen than on my TV, and the film reel they had was in pretty bad shape, but it was still fun to see it in its original format, with popcorn.

The pièce de resistance in my Phantom collection is the original movie poster from the 1970s release, which Mr. 42 found for me at an antique store that was going out of business. It was professionally framed and marked down from $179 to $139 in the close-out sale. That's probably more than I would have paid, but it was wonderful to receive such a thoughtfully-chosen gift, and its bright colors and cheesy graphics have graced the living rooms of four different apartments now.